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TWOT Reference: 529a
gold
as precious metal
as a measure of weight
of brilliance, splendour (fig.)
Strong's Number H2091 matches the Hebrew זָהָב (zāhāḇ),
which occurs 389 times in 336 verses
in the WLC Hebrew.
Page 2 / 7 (Exo 31:4–Num 7:20)
Aaron replied to them, “Take off the gold rings that are on the ears of your wives, your sons, and your daughters and bring them to me.”
So all the people took off the gold rings that were on their ears and brought them to Aaron.
“So I said to them, ‘Whoever has gold, take it off,’ and they gave it to me. When I threw it into the fire, out came this calf! ”
So Moses returned to the LORD and said, “Oh, these people have committed a grave sin; they have made a god of gold for themselves.
“Take up an offering among you for the LORD. Let everyone whose heart is willing bring this as the LORD’s offering: gold, silver, and bronze;
Both men and women came; all who had willing hearts brought brooches, earrings, rings, necklaces, and all kinds of gold jewelry — everyone who presented a presentation offering of gold to the LORD.
He also made fifty gold clasps and joined the curtains to each other, so that the tabernacle became a single unit.
He overlaid them with gold and made their rings out of gold as holders for the crossbars. He also overlaid the crossbars with gold.
He made four pillars of acacia wood for it and overlaid them with gold; their hooks were of gold. And he cast four silver bases for the pillars.
together with its five pillars and their hooks. He overlaid the tops of the pillars and their bands with gold, but their five bases were bronze.
He cast four gold rings for it, for its four feet, two rings on one side and two rings on the other side.
He made a mercy seat of pure gold, forty-five inches long and twenty-seven inches wide.[fn]
He made two cherubim of gold; he made them of hammered work at the two ends of the mercy seat,
He made a three-inch[fn] frame all around it and made a gold molding all around its frame.
He cast four gold rings for it and attached the rings to the four corners at its four legs.
He made the poles for carrying the table from acacia wood and overlaid them with gold.
He also made the utensils that would be on the table out of pure gold: its plates and cups, as well as its bowls and pitchers for pouring drink offerings.
Then he made the lampstand out of pure hammered gold. He made it all of one piece: its base and shaft, its ornamental cups, and its buds and petals.
Their buds and branches were of one piece with it. All of it was a single hammered piece of pure gold.
He overlaid it, its top, all around its sides, and its horns with pure gold. Then he made a gold molding all around it.
He made two gold rings for it under the molding on two of its sides; he put these on opposite sides of it to be holders for the poles to carry it with.
All the gold of the presentation offering that was used for the project in all the work on the sanctuary, was 2,193 pounds,[fn] according to the sanctuary shekel.
Bezalel made the ephod of gold, of blue, purple, and scarlet yarn, and of finely spun linen.
They hammered out thin sheets of gold, and he[fn] cut threads from them to interweave with the blue, purple, and scarlet yarn, and the fine linen in a skillful design.
The artistically woven waistband that was on the ephod was of one piece with the ephod, according to the same workmanship of gold, of blue, purple, and scarlet yarn, and of finely spun linen, just as the LORD had commanded Moses.
Then they mounted the onyx stones surrounded with gold filigree settings, engraved with the names of Israel’s sons as a gem cutter engraves a seal.
He also made the embroidered[fn] breastpiece with the same workmanship as the ephod of gold, of blue, purple, and scarlet yarn, and of finely spun linen.
and the fourth row,
a beryl, an onyx, and a jasper.
They were surrounded with gold filigree in their settings.
They also fashioned two gold filigree settings and two gold rings and attached the two rings to its two corners.
Then they attached the two gold cords to the two gold rings on the corners of the breastpiece.
They made two other gold rings and put them at the two other corners of the breastpiece on the edge that is next to the inner border of the ephod.
They made two more gold rings and attached them to the bottom of the ephod’s two shoulder pieces on its front, close to its seam,[fn] above the ephod’s woven waistband.
They made bells of pure gold and attached the bells between the pomegranates, all around the hem of the robe between the pomegranates,
They made a medallion, the holy diadem, out of pure gold and wrote on it an inscription like the engraving on a seal: Holy to the LORD.
the gold altar; the anointing oil; the fragrant incense; the screen for the entrance to the tent;
“Place the gold altar for incense in front of the ark of the testimony. Put up the screen for the entrance to the tabernacle.
He also put the turban on his head and placed the gold medallion, the holy diadem, on the front of the turban, as the LORD had commanded Moses.
“They are to spread a blue cloth over the gold altar, cover it with a covering made of fine leather, and insert its poles.
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